“Smart Interoperability: Integrating Photogrammetry-Based Heritage Models in Blender for Rural Digital Transformation” by Gianluca Emilio Ennio Vita at Blender Conference 2025

This presentation explores how Blender is being used within the digitalization strategy of Territorio Mudéjar—a network of rural municipalities in Spain—to integrate 3D photogrammetric models of Mudejar heritage into open, interoperable systems for edu…

Continue reading

Sally Muir: A Series From The Subconscious

Sally Muir won the Planographic Award in Jackson’s Art Prize this year with her work Beyond Black 15. In this interview, she discusses her love-hate relationship with pastels, the ephemerality of tissue paper, and how monotype lets her explore new paths. Above image: Sally Muir in her studio     Josephine: Could you tell us about your artistic background? Sally: I applied to art school when I was 17 and got rejected. I did various other jobs, mostly in publishing and bookshops, until I met my business partner, Joanna Osborne, and we became knitwear designers. That’s what I did for over 30 years, and then decided to try art school again and was accepted this time. So I did a year of foundation and then five years part-time at Bath School of Art and Design (where, coincidentally, I had originally applied). As I needed to make a living when I left, I started working to commission as a portrait artist, painting children mostly. Occasionally, I was asked to include a dog. Gradually, dogs took over, and I started to specialise in dogs, visiting my local dogs’ home and drawing the dogs there became the basis of a year-long project; drawing, …

The post Sally Muir: A Series From The Subconscious appeared first on  Jackson’s Art Blog.

Continue reading