win £1000 to spend on jewellery tools, materials or training – the jewellers academy support fund for july

Every other month, we award £1,000 to one jeweller to invest in their
business and how you use it is completely up to you. Whether it’s tools,
materials, training, or something else that will support your growth, this
fund is designed to help you move forward with purpose.

Plus, the winner also receives a 1-hour 1:1 mentoring session tailored to
their needs, whether that’s business strategy, marketing, or hands-on
jewellery making support.

Find out how to enter.

Continue reading

win £1000 to spend on jewellery tools, materials or training – the jewellers academy support fund for july

Every other month, we award £1,000 to one jeweller to invest in their
business and how you use it is completely up to you. Whether it’s tools,
materials, training, or something else that will support your growth, this
fund is designed to help you move forward with purpose.

Plus, the winner also receives a 1-hour 1:1 mentoring session tailored to
their needs, whether that’s business strategy, marketing, or hands-on
jewellery making support.

Find out how to enter.

Continue reading

Martha Zmpounou: Visceral to Cerebral

Martha Zmpounou won Anne Rothenstein’s Choice Award this year with her work Dressing Up. In this interview, she discusses her hybrid creative practice, the unpredictability of watercolour, and her approach of discovering rather than creating her pieces. Above image: Martha in her studio     Josephine: Could you share the story of how you became an artist and tell us more about your artistic background? Martha: I joined a foundation course at 18 to prepare for the fine art school’s entry exams. I then continued on to complete my BA in Fine Art and Painting at Aristotle University of Fine and Applied Arts in Greece. During that time, I experimented a lot with printmaking, in particular etching and woodcutting, along with my painting practice. Looking back, those years were not only very fun, but also pivotal to my growth as an artist and all that was coming. It was an intense period, very formative in many ways. After graduating, I stopped painting for a couple of years and turned to handmade jewellery instead. When that cycle came to an end, I returned to drawing and painting, and went on to complete a Master’s degree at Central Saint Martins. I started …

The post Martha Zmpounou: Visceral to Cerebral appeared first on  Jackson’s Art Blog.

Continue reading

Grattage Painting Techniques Using Found Materials

In this article, I define the grattage technique, invented by the Surrealist Max Ernst, and used in the work of his contemporaries and beyond. I consider the visual impact of this tactile method of scraping oil paint across a canvas laid over unconventional materials. Then, I demonstrate how to achieve it in your own oil paintings by testing it out with wood, cutlery, string, and some studio objects. Articles in the Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them.     The Grattage Technique for Painting Definition Grattage comes from the French verb ‘gratter’ meaning ‘to scrape’. The grattage technique is created when a wet oil painting is pressed on top of various everyday materials, such as wood, mesh, string, glass, or wire, and the top layer of paint is scraped away with a palette knife or spatula, picking up spontaneous unexpected textures on the face of the painting.   What is the Effect of Grattage? The grattage technique relies on unexpected marks and chance textures which the artist and audience respond to intuitively. Adding grattage to a painting may spark new ideas in the painter, or …

The post Grattage Painting Techniques Using Found Materials appeared first on  Jackson’s Art Blog.

Continue reading

Painting from Imagination

 The key to painting imaginary subjects is to hold onto the dream image as long as possible, even if it’s hazy and tentative. Then you work like crazy to find analogues in the real world, and gather references of any kind. Be like a sponge, and “f…

Continue reading

Painting from Imagination

 The key to painting imaginary subjects is to hold onto the dream image as long as possible, even if it’s hazy and tentative. Then you work like crazy to find analogues in the real world, and gather references of any kind. Be like a sponge, and “f…

Continue reading