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Inside the Sketchbook of Noemi Conan

Polish-born, London-based painter Noemi Conan discusses her lifelong impulse to gather inspirational fragments of data, and how she curates these visual mementos within her sketchbook as a way to process her busy mind. Noemi’s sketchbook serves as a creative receptacle for her collection of found materials and snippets of inspiration compiled from films, exhibitions and long journeys. Through this process of visual journaling, Noemi is able to explore the themes of migration, womanhood and identity that are central to her work. Inside the Sketchbook of Noemi Conan I’m Noemi Conan, a Polish painter based in London for the time being. In my work, I explore the ways visual storytelling can aid me in talking about my conflicted experience of migration, self-image, and womanhood. I paint women, cats and conifers, smoking after dark, and extended hangouts at roadsides. I arrived at what I would call a sketchbook by combining my lifelong obsession with collecting visual data – labels, dried plants, napkins, stickers, a particularly tasty typeface or logo, a ridiculous headline in the daily newspaper – with the written scaffolding I was encouraged to build by tutors at art school. My brain is a messy, overstuffed attic …

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Inside the Sketchbook of Katie Moody

Katie Moody is a mixed media artist based on the south coast of England. Her work takes a joyful approach to absorbing the world around her, favouring playfulness and experimentation over the pursuit of perfection. In this article, she discusses the vastly important role sketchbooks play for her as an artist, the broad range of materials she uses, and how her intuitive approach leads to finished pieces within her sketchbooks. Inside the Sketchbook of Katie Moody I have so many sketchbooks on the go! I fill them all with a variety of subjects rather than ones with specific themes, though I do love the idea of seeing the progression more clearly that way. They are very mixed, and I reach for them based on media and size. There are some I know work better with wet mediums, with paper that holds up to the amount of layers and materials I throw at it. Others work better with thicker paint layers or dry materials. Most have smooth hot-pressed paper, which I love for brush pens. Sometimes I just want something small that’s easy to carry when I’m drawing outside. I have many half-filled sketchbooks, but they’ll get …

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