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Archive by category "ink"

Art Through Symbols: The Moon

The moon doesn’t just move our seas, and mark time through its phases, but is an ever-evolving symbol in the visual arts that has collected a broad net of meanings. From rebirth to madness, and introspection to immortality, our fascination with the moon is imbued with the reassurance that it’ll be in our sky as long as we are. The Art Through Symbols series explores the interpretation of symbols throughout art history – be they cultural, religious, folkloric, or personal. Each article analyses a series of artworks, before detailing an art-making tutorial inspired by the symbol for you to try. Art Through Symbols: The Moon Interpreting the Moon The moon has hung bright on our collective visual consciousness throughout history. Perhaps we are so enchanted by it because it’s our closest planetary neighbour in an endless universe, or that its cycles plainly mark the passage of time. The moon has always been associated most broadly with eternity, appearing to every living being for as long as our planet has existed and will remain. Our tides roll because of its constant tugging, and folklore and mythology both suggest the full moon pulls people into madness or beastly …

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Wet-on-wet Techniques for Watercolour, Gouache, and Ink

In this article, I define the wet-on-wet technique for water-based media by looking at examples of it used throughout art history beyond the infamous ‘Golden Age’ of watercolour painting in 18th to 19th-century Britain. I then give demonstrations and practical advice for applying the wet-on-wet technique with watercolours, gouache, and ink with a variety of effects to your own paintings. Articles in the Painting Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them. Wet-on-wet Techniques for Watercolour, Gouache, and Ink Definition: The wet-on-wet technique is the application of water-based media to an already wet artwork or surface. The technique can refer to an entire sheet of paper that the artist has washed over with clean water, a specific shape that the artist has wetted with water for the paint to bleed into and fill, or a wet watercolour painting that the artist continues to add to before the first wet layer has dried. When multiple colours are added to the same wet surface, they’re able to bleed, disperse, and mingle together. What is the Effect of Wet-on-wet with Watercolours, Ink and Gouache? The wet-on-wet technique …

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The Dabbing Technique for Painting

Dabbing is an incredibly versatile painting technique that most artists utilise, from applying tiny areas of rough texture to decisively dabbing entire paintings. In this article, I define the technique by looking at key examples from art history – from the Dutch Golden Age, the Japanese mid-Edo period, to Les Nabis in Paris. Then I demonstrate how to apply dabbing to your own works, in oil, acrylic, ink and watercolour paints. Articles in the Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them. The Dabbing Technique for Painting Definition: Dabbing refers to the application of paint or ink to a surface using a repetitive vertical hand motion. The media is bounced, pressed or touched onto the surface without linear movement or hand gesture, giving a diffused effect. Dabbing may be achieved with brushes, rags, or palette knives. What is the Effect of Dabbing? Paintings made with dabbing may have a diffused quality, where the artist has intentionally foregone linear or painted mark-making. It’s perfect for applying the texture of naturalistic elements like clouds and foliage, building up patterns, and for realising subtle tonal effects like …

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Blending Techniques in Oil, Acrylic, Pencil, Pastel, Charcoal, Watercolour, and Ink

In this article I explore the technique of blending, referring to examples from Sfumato paintings in the Renaissance, through to Symbolist pastel drawings. Followed by practical demonstrations for blending in a variety of mediums – oil, acrylic, pencils, soft and oil pastel, charcoal, watercolour, and ink – and give tips for achieving a seamless finish. Articles in the Painting Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them. Blending Techniques in Oil, Acrylic, Pencil, Pastel, Charcoal, Watercolour, and Ink Definition Blending refers to the mixing towards, or transition between, two or more different colours or values, to create a smooth gradient between them. A successfully blended area will have a consistent, melded-together finish, without any hard edges, lines, or random marks. What is the Effect of Blending? The visual effect of blending may help to achieve realism, or simply add a pleasing gradient to an artwork. Whether a work is naturalistic or abstract, areas of blending often provide a sense of depth, be it blended tone across a glass on a table or blending between bright colours. It’s a technique that’s doable in all …

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