Artist Insights: Jo Rance

Contemporary artist Jo Rance discusses the vibrant, playful and pastel-rich palette she uses to depict the English countryside, and how her background in textiles lends texture to her tapestry-like paintings. Jo also provides insights into her processes, like how painting outside observationally connects her to the landscapes she loves, as well as her jig-saw like approach to composition.   Artist Insights: Jo Rance     Contents 0:00 “Anyone can paint.” 0:11 “The dialogue between land and sky” 0:36 “All I ever intend to do is to provoke joy” 0:57 Introduction 1:19 “I was always the kid who wanted to draw at the table” 1:55 “Who doesn’t want to learn how to weave?” 2:11 “I keep coming back to the word, intuitive” 2:53 “We would spend days in the dye lab, picking out our colour palettes, then hours threading these looms up” 4:06 “I have this immediacy, the more you practice with the paint that you use, the more you can use it in ways that make the paintings look like your paintings” 5:33 “I will go in with accents, pastel pinks, lilacs, I love a bright red” 6:44 “Sometimes I feel like I have rose-tinted glasses on when I am …

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Inside the Sketchbook of Katie Moody

Katie Moody is a mixed media artist based on the south coast of England. Her work takes a joyful approach to absorbing the world around her, favouring playfulness and experimentation over the pursuit of perfection. In this article, she discusses the vastly important role sketchbooks play for her as an artist, the broad range of materials she uses, and how her intuitive approach leads to finished pieces within her sketchbooks.     Inside the Sketchbook of Katie Moody I have so many sketchbooks on the go! I fill them all with a variety of subjects rather than ones with specific themes, though I do love the idea of seeing the progression more clearly that way. They are very mixed, and I reach for them based on media and size. There are some I know work better with wet mediums, with paper that holds up to the amount of layers and materials I throw at it. Others work better with thicker paint layers or dry materials.     Most have smooth hot-pressed paper, which I love for brush pens. Sometimes I just want something small that’s easy to carry when I’m drawing outside. I have many half-filled sketchbooks, but they’ll get …

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Artist Insights: Richard Ayodeji Ikhide

Richard Ayodeji Ikhide is a London-based artist, who works with large-scale watercolours and drawing. He visited Jackson’s Studio to discuss his practice, and how he seeks the intangible qualities of the human experience through movement and colour in his work.   Artist Insights: Richard Ayodeji Ikhide     Contents 0:00 “I’m trying to dispel these hierarchies within painting.” 0:10 “The marks I’m making are quite intuitive.” 1:12 Introduction 1:30 “Having lived half of my life back home in Lagos, and then living half of my life in England, you get this amalgamation of different experiences.” 3:14 “My approach to painting with watercolours is unconventional.” 4:04 “There’s a long history of sequences and sequential narrative, which has evolved into forms like film, animation, and video games.” 5:26 “For me, drawing is largely about problem solving.” 6:56 “There’s something amazing about a squirrel brush on hot press paper – the way it moves and glides across the surface is like a chef’s kiss. It’s just incredible.” 8:50 “There is no mysticism behind the way the piece takes shape.” 9:09 “That pure joy of making a line, or painting, or using colour, you get lost in the flow of the process.” 10:40 “You’re …

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