Inside the Sketchbook of Katie Moody

Katie Moody is a mixed media artist based on the south coast of England. Her work takes a joyful approach to absorbing the world around her, favouring playfulness and experimentation over the pursuit of perfection. In this article, she discusses the vastly important role sketchbooks play for her as an artist, the broad range of materials she uses, and how her intuitive approach leads to finished pieces within her sketchbooks.     Inside the Sketchbook of Katie Moody I have so many sketchbooks on the go! I fill them all with a variety of subjects rather than ones with specific themes, though I do love the idea of seeing the progression more clearly that way. They are very mixed, and I reach for them based on media and size. There are some I know work better with wet mediums, with paper that holds up to the amount of layers and materials I throw at it. Others work better with thicker paint layers or dry materials.     Most have smooth hot-pressed paper, which I love for brush pens. Sometimes I just want something small that’s easy to carry when I’m drawing outside. I have many half-filled sketchbooks, but they’ll get …

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Expert Advice on Open Calls for Artists

The Royal Academy Summer Exhibition has prompted me to offer some advice on Open Calls. The response letter carries a lot of weight for many artists, but it’s not the only open call out there to consider. We are going to look at the benefits of entering open calls, researching and choosing wisely, advice for your application, and healthy acceptance of the outcome.     Expert Advice on Open Calls for Artists   Why Enter An Open Call? An open call is an invitation for any artist to have their work considered for an exhibition, residency, prize, or grant. In this article, we’re going to focus on open call exhibitions, which are a smart way to get your work seen by more eyes, including potential new collectors and galleries. You can also meet new artists to connect with and gain experience in getting your work exhibition ready. There is nothing like seeing your work out in the wild, curated in a space alongside other artists. You can use these opportunities to invite people to come and see your work. For example, an artist I work with had a painting at the Mall Galleries, in London, and she hosted a coffee …

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