Louise Reynolds -

Articles posted by Louise Reynolds (Page 2)

Blending Techniques in Oil, Acrylic, Pencil, Pastel, Charcoal, Watercolour, and Ink

In this article I explore the technique of blending, referring to examples from Sfumato paintings in the Renaissance, through to Symbolist pastel drawings. Followed by practical demonstrations for blending in a variety of mediums – oil, acrylic, pencils, soft and oil pastel, charcoal, watercolour, and ink – and give tips for achieving a seamless finish. Articles in the Painting Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them. Blending Techniques in Oil, Acrylic, Pencil, Pastel, Charcoal, Watercolour, and Ink Definition Blending refers to the mixing towards, or transition between, two or more different colours or values, to create a smooth gradient between them. A successfully blended area will have a consistent, melded-together finish, without any hard edges, lines, or random marks. What is the Effect of Blending? The visual effect of blending may help to achieve realism, or simply add a pleasing gradient to an artwork. Whether a work is naturalistic or abstract, areas of blending often provide a sense of depth, be it blended tone across a glass on a table or blending between bright colours. It’s a technique that’s doable in all …

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Grattage Painting Techniques Using Found Materials

In this article, I define the grattage technique, invented by the Surrealist Max Ernst, and used in the work of his contemporaries and beyond. I consider the visual impact of this tactile method of scraping oil paint across a canvas laid over unconventional materials. Then, I demonstrate how to achieve it in your own oil paintings by testing it out with wood, cutlery, string, and some studio objects. Articles in the Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them. The Grattage Technique for Painting Definition Grattage comes from the French verb ‘gratter’ meaning ‘to scrape’. The grattage technique is created when a wet oil painting is pressed on top of various everyday materials, such as wood, mesh, string, glass, or wire, and the top layer of paint is scraped away with a palette knife or spatula, picking up spontaneous unexpected textures on the face of the painting. What is the Effect of Grattage? The grattage technique relies on unexpected marks and chance textures which the artist and audience respond to intuitively. Adding grattage to a painting may spark new ideas in the painter, or …

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Review of Da Vinci’s New Synthetic Paddle Brushes

Paddle brushes allow artists to have tactile contact with their surface by movement through the wrist, allowing them to work with greater control across large surface areas. The sturdy design also ensures brush longevity. Da Vinci has released their own new paddle brush range, with three bristle types available in three sizes – 40, 60, and 80 mm. In the following article, I describe their unique properties, test out the functionality of their innovative ergonomic handle design, and use them to apply acrylic paints, gesso, and mediums with a variety of effects. Review of Da Vinci’s New Synthetic Paddle Brushes The History of the Da Vinci Company The Da Vinci brush company was founded around 1890 in Germany and remains based in Nuremberg to this day. Their long-standing ethos has been “to produce the best brushes in the world”, covering everything from artists’ and cosmetic brushes to dental brushes. The name Da Vinci doesn’t come from a personal link to the Renaissance master, but was chosen to enhance brand recognition and give an assurance quality after the company trademarked the name ‘Leonardo Da Vinci’ in 1952. Today, Da Vinci manufactures about 6 million brushes annually, with the Paddle …

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