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Articles posted by Jolyne Lauriault

Artist Review of R&F Pigment Stick in Olive Yellow III

R&F Pigment Sticks are highly pigmented bars of oil colour, handcrafted in small batches with the purest traditional paintmaking ingredients. The stick format allows artists to paint directly onto the canvas without a brush, making them versatile, easy to transport, and perfect for expressive mark-making. In this article, Sheila Dodd shares her excitement about the portability and the vibrancy of colour of the R&F Pigment Stick in Olive Yellow III, and how this format of oil paint gives her the freedom to easily travel with her paints. Artist Review of R&F Pigment Stick in Olive Yellow III by Sheila Dodd As a painter, excited to travel to the foothills of Mont Ventoux with an international group of plein air painters, one of my first thoughts was which oil painting materials would be safe and compact enough to capture the sunlit landscapes and still lifes in the markets of Provence. Just as important was making sure everything could fit safely into my cabin baggage, especially after having expensive pigments confiscated on previous trips through airport security! Jackson’s website stocks the relatively new (to me anyway) R&F Pigment Sticks. Olive Yellow III looked like sunshine in a stick! It has …

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Artist Review of R&F Pigment Stick in Olive Yellow III

The post Artist Review of R&F Pigment Stick in Olive Yellow III appeared first on Jackson’s Art Blog.

Inside the Sketchbook of Noemi Conan

Polish-born, London-based painter Noemi Conan discusses her lifelong impulse to gather inspirational fragments of data, and how she curates these visual mementos within her sketchbook as a way to process her busy mind. Noemi’s sketchbook serves as a creative receptacle for her collection of found materials and snippets of inspiration compiled from films, exhibitions and long journeys. Through this process of visual journaling, Noemi is able to explore the themes of migration, womanhood and identity that are central to her work. Inside the Sketchbook of Noemi Conan I’m Noemi Conan, a Polish painter based in London for the time being. In my work, I explore the ways visual storytelling can aid me in talking about my conflicted experience of migration, self-image, and womanhood. I paint women, cats and conifers, smoking after dark, and extended hangouts at roadsides. I arrived at what I would call a sketchbook by combining my lifelong obsession with collecting visual data – labels, dried plants, napkins, stickers, a particularly tasty typeface or logo, a ridiculous headline in the daily newspaper – with the written scaffolding I was encouraged to build by tutors at art school. My brain is a messy, overstuffed attic …

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Artist Insights: Jo Rance

Contemporary artist Jo Rance discusses the vibrant, playful and pastel-rich palette she uses to depict the English countryside, and how her background in textiles lends texture to her tapestry-like paintings. Jo also provides insights into her processes, like how painting outside observationally connects her to the landscapes she loves, as well as her jig-saw like approach to composition. Artist Insights: Jo Rance Contents 0:00 “Anyone can paint.” 0:11 “The dialogue between land and sky” 0:36 “All I ever intend to do is to provoke joy” 0:57 Introduction 1:19 “I was always the kid who wanted to draw at the table” 1:55 “Who doesn’t want to learn how to weave?” 2:11 “I keep coming back to the word, intuitive” 2:53 “We would spend days in the dye lab, picking out our colour palettes, then hours threading these looms up” 4:06 “I have this immediacy, the more you practice with the paint that you use, the more you can use it in ways that make the paintings look like your paintings” 5:33 “I will go in with accents, pastel pinks, lilacs, I love a bright red” 6:44 “Sometimes I feel like I have rose-tinted glasses on when I am …

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Artist Review of the Stillman & Birn Zeta Softcover Sketchbook

Stillman & Birn Zeta Softcover Sketchbooks are praised for their thoughtful design and quality manufacturing, making them a popular choice for artists and illustrators alike. In this article, Amy Sharp shares her love for the smooth and durable paper surface of the Zeta Sketchbooks, and their exceptional handling qualities, adding comfort and ease to her drawing practice. Artist Review of the Stillman & Birn Zeta Softcover Sketchbook by Amy Sharp This is my absolute favourite sketchbook, one of the few that I’ve managed to fill from cover to cover, and I’m currently on my third one! One of the biggest reasons for this is the paper. I’ve tried several other sketchbooks with ‘smooth’ paper, often finding the paper to feel thin and cheap, with a strangely slippery quality. Stillman & Birn’s Zeta Softcover Sketchbook balances the smooth surface with thick, high quality paper, creating a much better drawing experience. This allows pencils to glide across the surface, but with enough tooth to allow controlled and detailed lines. In addition to this, the paper is sturdy enough to withstand vigorous erasing; this is a very important quality for me as I constantly revisit and edit ideas. …

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