Introducing Jackson’s Pigment Stories Book

We’re thrilled to announce Pigment Stories, a book containing over sixty richly-illustrated pigment entries that bring the history of artists’ colour to life. A continuation of the social media short film series, these stories trace how pigments have shaped art, science, and culture, from earthy ochres used in prehistoric caves to the cutting-edge chemistry of modern colours.     Introducing Jackson’s Pigment Stories Book   Pigment Stories: The Story So Far In June 2023, Jackson’s published the first short film in the Pigment Stories series on social media. It began as a simple idea – we wished to share the histories behind the colours on artists’ palettes, past and present. This drew on research we had accumulated over years of speaking to artists about colour, and articles about pigments by Evie Hatch, Studio and Materials specialist at Jackson’s. Evie wrote her first feature on the Blog in 2019 while working in the Customer Services Team, a path that soon led her to writing for the Blog full-time and, later, to study History of Art at the Courtauld Institute of Art.     When we began telling these stories on screen, the aim was to create a series that was both …

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“Smart Interoperability: Integrating Photogrammetry-Based Heritage Models in Blender for Rural Digital Transformation” by Gianluca Emilio Ennio Vita at Blender Conference 2025

This presentation explores how Blender is being used within the digitalization strategy of Territorio Mudéjar—a network of rural municipalities in Spain—to integrate 3D photogrammetric models of Mudejar heritage into open, interoperable systems for edu…

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Sally Muir: A Series From The Subconscious

Sally Muir won the Planographic Award in Jackson’s Art Prize this year with her work Beyond Black 15. In this interview, she discusses her love-hate relationship with pastels, the ephemerality of tissue paper, and how monotype lets her explore new paths. Above image: Sally Muir in her studio     Josephine: Could you tell us about your artistic background? Sally: I applied to art school when I was 17 and got rejected. I did various other jobs, mostly in publishing and bookshops, until I met my business partner, Joanna Osborne, and we became knitwear designers. That’s what I did for over 30 years, and then decided to try art school again and was accepted this time. So I did a year of foundation and then five years part-time at Bath School of Art and Design (where, coincidentally, I had originally applied). As I needed to make a living when I left, I started working to commission as a portrait artist, painting children mostly. Occasionally, I was asked to include a dog. Gradually, dogs took over, and I started to specialise in dogs, visiting my local dogs’ home and drawing the dogs there became the basis of a year-long project; drawing, …

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