The Dabbing Technique for Painting

Dabbing is an incredibly versatile painting technique that most artists utilise, from applying tiny areas of rough texture to decisively dabbing entire paintings. In this article, I define the technique by looking at key examples from art history – from the Dutch Golden Age, the Japanese mid-Edo period, to Les Nabis in Paris. Then I demonstrate how to apply dabbing to your own works, in oil, acrylic, ink and watercolour paints. Articles in the Techniques Series define the meaning and context of art making processes and give practical tutorials on how to work with them.     The Dabbing Technique for Painting Definition: Dabbing refers to the application of paint or ink to a surface using a repetitive vertical hand motion. The media is bounced, pressed or touched onto the surface without linear movement or hand gesture, giving a diffused effect. Dabbing may be achieved with brushes, rags, or palette knives.   What is the Effect of Dabbing? Paintings made with dabbing may have a diffused quality, where the artist has intentionally foregone linear or painted mark-making. It’s perfect for applying the texture of naturalistic elements like clouds and foliage, building up patterns, and for realising subtle tonal effects like …

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Olga Babich: Drawing Home

Olga Babich won the Drawing Award in Jackson’s Art Prize this year with her work Forest. In this interview, she discusses taking her own reference photos, the perfect paper, and staying creative during difficult times. Above image: Olga Babich at her workspace     Josephine: Could you tell us about your artistic background? Olga: I’ve loved drawing since childhood and would often find myself copying illustrations. However, when it came time to choose a career, I didn’t consider becoming an artist or even a designer. I studied law and worked in the field for two years. Everything changed while I was on maternity leave – I decided to take an online watercolour course. The lessons were high-quality and engaging, and they gave me not only a solid foundation but also something even more valuable: the confidence that it wasn’t too late to start. I was 26 at the time. That’s how my path as an artist began. Since then, I’ve taken many more courses, workshops, and masterclasses, and spent countless hours practicing and learning on my own. Today, art is both my passion and my profession – something I truly love and am grateful to do every day.     …

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