In this presentation, Lars Beier, Vitus Pacholleck, and Julius Schöps share how they use Blender as the cornerstone of a 3D pipeline for robotics onboarding, simulation, and animation. They demonstrate how Blender supports automation across multiple wo…
Albin Merle created this fan-art commercial for the IWC Schaffhausen Ingenieur Automatic 40 watch. Diving into « Asphalt » CGI experiment with pure muscles. This project was built around the idea of a zoetrope, but with a modern twist. Instead of tradi…
3DSinghVFX writes: Unleash the potential of Blender 5.0’s New Volume Grid Nodes to create beautiful Curl Noise effects for lines and particles. Learn how to generate swirling motion fields and bring your motion graphics to life with fully procedural co…
Please take a moment to test your files, update your add-ons, and report any issue you may find by going to Help → Report a Bug. Featuring artwork by Juan Hernández
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Sara Rossberg won Joshua Donkor’s Choice Award in Jackson’s Art Prize this year with her work Emergence. In this interview, she discusses preserving the transparency of her layers, drawing as intensely as painting, and looking for detachment in her subjects. Above image: Sara Rossberg sitting in front of her painting Presence – Two in her studio Josephine: Could you tell us about your artistic background? Sara: I announced at the age of nine that I wanted to be an artist, much to the dismay of my father. After graduating from school in 1971, I entered art college, Staedelschule, Academy of Fine Arts in Frankfurt, Germany. During my second year, I was awarded a scholarship that included one year of studying abroad. So, after the end of my course at Staedelschule, this brought me to London in 1976. Initially, I enrolled at Camberwell College of Art and Crafts to study paper conservation with the intention of learning a skill that would provide me with an income while painting. Within weeks, I hated the course, gave up the whole idea and switched back to painting. As I was unable to move to a postgraduate college, I was given permission to …
The post Sara Rossberg: A Luminous Obsession appeared first on Jackson’s Art Blog.
Graphic novelist Dirk I. Tiede shares how he single-handedly adapted his comic series Paradigm Shift into an animated short film. He demonstrates the challenges of creating character rigs (including a fully transformable werewolf rig!), using comics as…
Join Jules Urbach as he presents his vision for the future of GPU- and AI-driven rendering and how it will impact gaming, visual effects, media, design, and art into the 2030s and beyond.
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The post Mary Whyte on Forging Your Own Creative Path appeared first on Artists Network.
Widhi Muttaqien writes: The premise of Extrude Manifold was great. However, even after five years, the feature does not deliver what people expected. This video shows workarounds that allow the Extrude Manifold tool in Blender to achieve results simila…
Before electricity, nighttime seemed a lot brighter. That’s because electric lights constrict our pupils, making the darkness darker. Read more on my free Substack.
